Jesus in Portuguese Playboy

I'm going to present this without comment. It's better that way. Check out the link for the context and consequences.

(Via Geekosystem)

Games As Art: Roger Ebert Admits He Was Wrong

 
I'm already a week late to report this, but I'd be remiss if I didn't mention here that Roger Ebert admitted he was wrong to dismiss video games as a potential site for artistic expression. He didn't go so far as to say it that games are art, mind you, but he at least acknowledged that he was wrong to write off the medium without "being more familiar with the actual experience of video games." Which is exactly what I called him on, along with countless other gamers and open-minded people.

The title of Ebert's "apologetic" blog entry still conveys a distinctly judgmental and dismissive tone, but I suppose you can't teach an old codger new tricks. If he wasn't such a great and influential writer it'd be easy to ignore him and his dated opinions about video games, like I do with my dad. But this is Roger fuckin' Ebert we're talking about, the dude bleeds film criticism. It's just too bad that he's positioned himself so completely on the far side of the generational divide. I would love to hear his thoughts on something like Ico if there was a way for him to truly understand it. Alas, I'm not holding my breath on that one.

Cool Stuff: Creative Collaboration

Apologies for the absolute dearth of content around here lately, I've been out of town a lot and generally otherwise occupied. I've got a few things I'm working on that'll hopefully come to fruition soon, but for now I wanted to share this really cool argument/video:

Clay Shirky, an American writer and theorist on internet technologies, has an interesting perspective on the value of creative collaborative activities on the internet. This includes everything from knowledge databases Wikipedia to memes like Lolcats. He sees the internet as a significant leap forward in terms of human culture, comparing the hours spent actively utilizing it to those spent passively watching television. In describing the inherent worth of even something as trivial as Lolcats, Shirky argues that "the stupidest possible creative act is still a creative act. Doing something is different than doing nothing."

Check out the video below, it's well worth four minutes of your time, even if it is a passive interaction. I for one am on board with him, and I'd be curious to hear your thoughts.

(Via Geekosystem)

Toy Story 3

I went to see Toy Story 3 last weekend and it was (surprisingly) the most touching theatre experience I've had this year. I didn't think any movie could top the first scenes in Up for sheer devastating poignancy, but damn was I ever wrong. The last ten minutes of Toy Story 3 are an ongoing emotional sucker punch that will make you beg the movie to stop if only to save you the indignity of publicly weeping like an infant. What makes this experience unique and wonderful is that for all the choked-back tears Toy Story 3 just feels... right.

Toy Story 3 is about growing up. That's technically true of both the previous films in the series, but never so much as in this final entry. Andy, the owner of the featured toys, is ready to go off to college and needs to decide which of his possessions to bring, store, or throw away. This puts the toys in obvious jeopardy, especially given that they've been largely abandoned during Andy's adolescence. Some begin to devise means of escape to avoid becoming garbage while others steadfastly maintain that their role is to support Andy, whatever that means. The nostalgic bond between toys and their owners has always figured prominently into the Toy Story movies, and that trend continues here with both parties trying to decide whether to hold on to each other or move on. Of course the toys have an incredible adventure that provides the bulk of the excitement, and it's great, but the transition towards maturity is the real heart of the story. I won't spoil anything here, but trust that Toy Story 3 nails the perfect balance of painful relinquishment and knowing acceptance in a powerful coming-of-age tale.

While glorious overall, the movie is not without its flaws. The pace seems rushed, and at times it feels like the filmmakers tried to fit a bit too much into the story. New characters are underdeveloped and the major talents voicing them are all but wasted (Timothy Dalton and Kristin Schaal have tragically minuscule roles). But all such issues pale in comparison to the overall quality and power of the narrative. Toy Story 3 is a busy, exciting film that will leave you simultaneously fulfilled and wanting more, and its few problems are easily forgivable.

Despite my fears that the movie would prove unnecessary and overly-indulgent, Toy Story 3 is both the perfect close to a fantastic trilogy and also a great film in its own right. You don't have to see the preceding films to enjoy it, though doing so would certainly give some additional context. This movie is about the experience of growing up and letting go of the past, something we all experience in our lives, and should speak to every viewer on at least some level. Pixar has truly outdone themselves (once again) with Toy Story 3, and in my mind it tops all that came before it. Not to be missed at any age.

Futurebirds

Cover of the upcoming Futurebirds LP, Hampton's Lullaby  

I know I'm on a bit of a music kick lately but bear with me, it's all awesome stuff and I have some geeky posts in the pipeline. My latest obsession is the "psychedelic country" band, Futurebirds, and I've had them on heavy rotation for the past week or so. They sound like an awesome cross between Yeasayer and Dr. Dog, particularly on tracks like "MJB" (available below) off their self-titled EP. The band's upcoming release, Hampton's Lullaby, is due on July 27 and I was lucky enough to give it a spin early.

Futurebirds present a really amazing conflux of divergent musical styles. They're not an indie or jam band by any stretch of the imagination but are clearly influenced by those genres. Most intriguingly they experiment with distinctly country sounds, recontextualizing them in ways that aren't exactly country/alt country but are definitely of that ilk. This is something very interesting and, for lack of a better word, psychedelic. Tracks like "Happy Animals" and "APO" really open up and let you get lost in them, someplace between a honky tonk and a lucid dream.

Not that the bands are at all similar but the whole effect reminds me of Radiohead in a lot of ways, especially in terms of how Futurebirds's songs often sound too big for their production. Each track on Hampton's Lullaby sounds like the CD format is barely able to contain the music for all its sheer epicness. I have a really hard time imagining these guys playing at a rock club, to me it seems like they'd have to play an outdoor venue for the setting to fit their sprawling songs. If they can get the effects to sound right then these guys must put on a hell of a live show, and I for one am excited to check em out if they ever make it to Canada.

Futurebirds is the best new band I've heard in a really long time. I'll be very surprised if they don't get huge attention and acclaim come the July release of Hampton's Lullaby. Definitely check em out, MP3s and relevant links below:

Johnny Utah
MJB (via hearya.com)
MySpace
Stream or Digitally Download the Futurebirds EP